Yesterday, by invitation, I attended an event at the New England Visionary Artists Museum in Northampton, a poetry reading by a brilliant former colleague, Heather Treseler. In her new collection, Auguries and Divinations, she curated the pains and absurdities of growing up the wealthy Boston suburb of Newton, her flight from it, and her return as an adult. Strangely enough, I had just bought a copy of How to Make Your Mother Cry, a new
book of linked stories by another old friend, Sejal Shah, in which she charted the pains of coming of age in the suburbs of Rochester, New York, a young woman’s escape, and her return. One friend, and her narrator, was an outsider by class and religion, the other by ethnicity and skin color; both rebelled, furtively, feverishly, sometimes self-destructively. In time, each found new ways of coming home to herself.
I too lived for a time in the Boston suburbs, like Heather. (Well, perhaps “lived” is too settled a word; I had one foot in, unsteadily, the other ready to make a run for it.) I too came as an outsider, a child of immigrants like Sejal. I too fled, but eventually came home. One way or another, that is the arc of many lives and most stories. How that arc is lived, and how those stories are told and re-told, is an art that can take a lifetime to perfect—or at least, to make peace with.
Both collections spark sharp memories for me; all the more so since both writers’ lives overlapped with mine—one when I was just starting out as a junior faculty member and she was a graduate student in my old department, the other as I neared retirement and she was a junior faculty member, also in my department. Our stories intersect both gently and jaggedly; the arcs of their lives—in the suburbs, in academia, in writing—call up auguries of my own, most of them unheeded at the time, and tears that I too must have made my dear mother cry.
Just two of these intersections:
In “Ghostology” Heather Treseler writes,
The first rule here is do not disturb the peace
or permit parking. . .
A memory: Mum telling me, when she and Dad had just moved to Newton, more than a decade after I had finished college and left home, that she had approached a woman outside a house down the street to introduce herself. The woman cut her off unceremoniously: We don’t do that here. Mum never tried again.
Another intersection: A couple of months ago I was rifling through bankers’ boxes full of old files, searching for the senior rail passes Andrew and I bought in England last year, and in the process turning up—not the passes, but old letters, never-published conference papers, and a copy of an essay presented to me by my friend Sejal Shah a couple of decades ago, when she was in graduate school. It turned out to be “How to Make Your Mother Cry,” the original version of the title piece in her just-published book!
At this stage in my life everything feels retrospective, as if there is no future except perhaps to make the arc of my life more complete, in writing if not in reality. But I’m afraid I never learned, after taking up and then growing tired of a piece of knitting, how to cast off. It stayed on the needles, neither turning into a finished, usable item nor unraveled and made ready to begin again. My mother blamed it on the number and frequency of our moves: “no wonder she never finishes anything she starts.”
* * * * *

I wrote the above early this afternoon, just before going out to a book sale in a local park organized by our friends, Valley Families for Palestine, with all proceeds going to support Palestinian children who have been forcibly displaced from their homes again and again. The energy of the young parents and children gathering in the sunshine combined with the bouncy walkways of the
children’s playground (and, it goes without saying, the purchase of a couple of books) brought a spring to my step and a new attitude toward my perennially unfinished projects. Of course there is always more work to be done, and it is not up to me alone to finish it all.
One of the books I brought home was published by Restless Books, a publisher that has recently opened a bookstore in town. The book, aptly entitled, Between This World and the Next, had been awarded the 2022 Restless Books Prize for new immigrant writing. It made me think of my own peripatetic childhood, of which new friends often asked, Why did your family move around so much? Was your father a diplomat? No, I would reply, he was just restless.

The British would say, “the natives are restless,” when colonized peoples protested against colonial rule. I am okay with that kind of restlessness. It has a noble tradition. Restless Books calls itself an international publisher for a world in motion. Given such a world, we must refuse to settle for the contrived peace of the suburbs. Perhaps we must refuse to settle altogether, at least, those of us who have the privilege of doing so.
Heather Treseler. Auguries and Divinations. (Bauhan Publishing, 2024)
Sejal Shah. How to Make Your Mother Cry. (West Virginia UP, 2024)
Praveen Herat. Between This World and the Next. (Restless Books, 2022)














